About

Play is the exultation of the possible

Thank you for visiting my website. I am a book artist who teaches classes in pointed brush lettering, as well as paste paper and paste cloth techniques. I currently live in Albuquerque, NM. My husband and I moved here from Maryland in 2015 with our dog, Samwise. During my life, I have lived in New Guinea, Australia, Iowa, Japan, Zambia, Canada, Malaysia, Florida, Bangladesh, Kenya, Uganda, Maryland, and Russia. Not exactly in that order. All those places have certainly become part of me and my work.

After four years of university, where I obtained a BA in Comparative Religion from the University of Iowa, I seized the opportunity to teach English as a foreign language in Japan in 1970. There I met my future husband, the intrepid documentary filmmaker, Neill McKee, who had paused in Tokyo after two years of teaching in North Borneo, where he co-founded the North Borneo Frodo Society.

Elizabeth McKee

My first encounter with pointed brush lettering was with the school writing master, Hisao Yabe, while I was teaching English in Japan from 1970–72. After Neill and I married in Zambia in 1972, we spent six months in Ottawa, where I studied Japanese painting, sumi-e, with Tomoko Kodama before we moved to Malaysia for two years. There I studied intermittently at the Malaysian Institute of Art under its founder, Chung Chen Sun. I was happy to discover western calligraphy in Ottawa, Canada, in 1980 after our second child was born, and I knew that I had found my vocation. In 1983, I attended my first calligraphy conference, which was held in Chicago. The theme of the conference was Book Arts. Although I dabbled in book making, I did not take it seriously until our family moved to Bangladesh in 1990. From there, we moved to Kenya in 1994 and on to Uganda in 1999. Since carting around large framed calligraphic art was not practical, I found myself drawn to the highly portable art of making books.

Since the late 80’s I have been taking pointed brush lettering classes whenever I could.

During the pandemic, I spent my time creating an introductory series of pointed brush classes to help make lettering with a pointed brush more accessible to beginners and have been teaching it online.

I was introduced to paste paper play on my friend, Heather Mallet’s back porch in Ottawa sometime in the ’90’s but was not interested in it until I saw it used as a background for fine art. Since moving to New Mexico, I have developed an exploratory class in which students create reference books that they can use for recreating patterns and background.

How to hold a pointed brush.

My work is included in the collections of the late Queen Mother of England, the City of Ottawa, the National Museum of Women in the Arts, Harvard’s Houghton Library, Queen’s University’s Douglas Library, Kingston, Ontario, the Bainbridge Island Museum of Art, Bowdoin College’s Hawthorne-Longfellow Library, Stanford University’s Green Library as well as private collections around the world.