Unique Books

Elizabeth McKee Books

Inversnaid by Gerard Manley Hopkins

This book/scroll is one in a series of 2, on Arches Text Wove paper, signed in pencil at the end of the verse/scroll. Page size: 9 feet long x 6 inches high, on dowels (covered in Ugandan bark cloth) that bring the height of the scroll to 8 inches. Housed in custom clamshell box, Ugandan bark cloth over boards with hand-lettered and painted label on spine. Lettered with a brush in shades of brown gouache over paper that has been painted with acrylic washes in shades of brown with moss green highlights, reverse painted with gouache wash in shades of brown. The poem’s words rush, flow, and meander much as does the beautiful river that is its namesake the Inversnaid River, at the edge of Loch Lomond. While an homage to the rough, wild river and the mountains (Trossachs) through which it flows. The last verse is a very contemporary plea for nature.

– Property of Stanford University’s Green Library

Inversnaid closed box
Inversnaid Closed Box
Inversnaid TitleInversnaid1Inversnaid2Inversnaid3Inversnaid4Inversnaid5Inversnaid6Inversnaid7Inversnaid8Inversnaid9Inversnaid10Inversnaid11

Inversnaid

This darksome burn, horseback brown,
His roll rock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake fall home.

A windpuff-bonnet of fáwn-fróth
Turns and twindles over the broth
Of a pool so pitch-black, féll-frówning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through?
Wiry heath packs, flitches of fern,
And the bead bonny ash that sits over the burn.

What would the world be, once bereft?
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

Gerard Manley Hopkins

That Nature is a Heraclitean Fire and the Comfort of the Resurrection by Gerard Manley Hopkins

This book started as my third Inversnaid book. Unfortunately, I had overworked it and grown frustrated with it. While I was bemoaning this fact to a friend she asked, “But what does IT want to be?”

After a few days of thought my answer was, “It wants to be destroyed.”

So, I decided to obliterate the side I had been writing on and work on the back which is very pretty.  I wet the whole book, picked up some bottles in which I had mixed acrylic paint many months ago and squirted randomly over the whole piece. As it had aged the yellow paint had curdled and the result of my attempted destruction was a new and exciting background that reminded me of the then daily television images of the California fires. In my search for an appropriate text I found another Hopkins poem that fitted perfectly. This palimpsest is the result. You can still pick out bits of Inversnaid in the background under the fiery lettering. This seems to fit the spirit of That Nature is a Heraclitean Fire and the Comfort of the Resurrection perfectly. The folds are irregular to create a feeling of landscape when it is standing up on the long edge. It is a difficult text to read regardless of how it is presented. I have approached this with a more oriental sensibility trying to give the meaning of the text rather than just paint beautiful letters.

It is on Arches Text Wove paper on which I did acrylic washes and then lettered with brushes and gouache.

The dimensions are:
Closed H 6.25″ x L 12.25″
Open:    H 6.25″ x L 101″ (approximately)
The box dimensions are: H 7″ x L 13.125″ x D 1″

TNHFCR Front Box
TNHFCR Back Cover
TNHFCR In the Box
TNHFCR Title BoxTNHFCR Pages 1-2TNHFCR Pages 2, 3 & 4TNHFCR Pages 5-6TNHFCR Pages 7-8TNHFCR Pages 8-9TNHFCR Pages 9-10TNHFCR Pages 11TNHFCR Pages 12TNHFCR Page 13TNHFCR Pages 13 HalfTNHFCR Pages 14TNHFCR Page 15TNHFCR Pages 16 Back page

Cloud-puffball, torn tufts, tossed pillows | flaunt forth, then chevy on an air-
Built thoroughfare: heaven-roysterers, in gay-gangs | they throng; they glitter in marches
Down roughcast, down dazzling whitewash, | wherever an elm arches,
Shivelights and shadowtackle ín long | lashes lace, lance, and pair.
Delightfully the bright wind boisterous | ropes, wrestles, beats earth bare
Of yestertempest’s creases; | in pool and rut peel parches
Squandering ooze to squeezed | dough, crust, dust; stanches, starches
Squadroned masks and manmarks | treadmire toil there
Footfretted in it. Million-fuelèd, | nature’s bonfire burns on.
But quench her bonniest, dearest | to her, her clearest-selvèd spark
Man, how fast his firedint, | his mark on mind, is gone!
Both are in an unfathomable, all is in an enormous dark
Drowned. O pity and indig | nation! Manshape, that shone
Sheer off, disseveral, a star, | death blots black out; nor mark
Is any of him at all so stark
But vastness blurs and time | beats level. Enough! the Resurrection,
A heart’s-clarion! Away grief’s gasping, | joyless days, dejection.
Across my foundering deck shone
A beacon, an eternal beam. | Flesh fade, and mortal trash
Fall to the residuary worm; | world’s wildfire, leave but ash:
In a flash, at a trumpet crash,
I am all at once what Christ is, | since he was what I am, and
This Jack, joke, poor potsherd, | patch, matchwood, immortal diamond,
Is immortal diamond.

Paul Klee and the Line #3 By Elizabeth McKee

This is my third book in which I have written out this little poem that I wrote in 2009.

I keep coming back to it trying to channel Paul Klee

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Books Before 2008

Assault of Angels by Michael Roberts

Assault of Angels
Book front and spineAssault of Angels by Michael Roberts beautiful artworkAssault of Angels by Michael Roberts inside contentAngels breed darkness out of light angels rejoice in things we hateAssault of Angels by Michael Roberts 3 pages contentAssault of Angels by Michael Roberts contentAssault of Angels by Michael Roberts scrollAssault of Angels by Michael Roberts page
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The mind trembles from the assault of angels;
Running in familiar light it sees the sea,
It remembers the dark subway and the lost fields of childhood,
It remembers the loneliness of first love and the end of a summer:
These are familiar and small.

But the assault of angels is more terrible: angels are invisible,
Angels cast no shadow, and their unpredicted motion
Moves the familiar shadows into light.
Angels cannot burn the fingers: unacknowledged,
They pass unseen. No one will ever know.
Refuse them: they have no claim to charity,
To ignore them offers a key to omniscience.
Angels breed darkness out of light, angels rejoice
In things we hate and fear.

Angels are the launching of a new ship,
Angels offer to inhabit the landscape of your body,
Angels will let you grow as a child grows,
They are your enemy: they will destroy you.

And a time comes when a man is afraid to grow,
A time comes when the house is comfortable and narrow.
A time when the spirit of life contracts.
Angels are at your door: admit them, now.

Fugue by Robyn Sarah (from The Touchstone: Poems New and Selecte)

Women are on their way
to the new country. The men watch
from high office windows
while the women go.
They do not get very far
in a day. You can still see them
from high office windows.

Women are on their way
to the new country. They are taking
it all with them: rugs,
pianos, children. Or they are leaving
it all behind them: cats,
plants, children.
They do not get very far in a day.

Some women travel alone
to the new country. Some
with a child or children.
Some go in pairs or groups
or in pairs with a child
or children. Some in a group with
cats, plants, children.

They do not get very far in a day.
They must stop to bake bread on the road
to the new country, and to share
bread with other women. Children
outgrow their clothes and shed them
for smaller children. The women too
shed clothes, put on each other’s

cats, plants, children, and at full moon
no one remembers the way to the new country
where there will be room for everyone and
it will be summer and children will
shed their clothes and the loaves will
rise without yeast and women will have come
so far that no one can see them, even from
high office windows.

Bread & Roses by James Oppenheim

As we go marching, marching in the beauty of the day,
A million darkened kitchens, a thousand mill lofts gray,
Are touched with all the radiance that a sudden sun discloses,
For the people hear us singing: Bread and roses! Bread and roses!

As we go marching, we marching we battle too for men,
For they are women’s children, and we mother them again.
Our lives shall not be sweated from birth until life closes;
Hearts starve as well as bodies; give us bread, but give us roses!

As we go marching, marching, unnumbered women dead
Go crying through our singing their ancient cry for bread.
Small art and love and beauty their drudging spirits knew.
Yes, it is bread we fight for—but we fight for roses, too!

As we go marching, marching, we bring the greater days.
The rising of the women means the rising of the race.
No more the drudge and idler—ten that toil while one reposes,
But a sharing of life’s glories: Bread and roses! Bread and roses!